Stengel: His Life and Times |
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Editorial Review / Publisher's Information:
Product Description
One of the most endearing of American heroes, Casey Stengel guided the New York Yankees to ten pennants in twelve seasons. Here is the brilliant manager stripped naked—the person underneath all the clowning, mugging, and double-talking. Robert Creamer shows us Casey at twenty-two, famous from his very first day in the big leagues. We see Casey’s playing career fall apart as he is traded, shunted to last-place teams, hampered by injuries, considered finished—until he bats a glorious home run in the 1923 World Series. Here are Casey’s managing successes and failures—dismissed by the Yankees, he returns to the limelight with his new and inept New York Mets, the team he single-handedly lifts into the nation’s consciousness. “I’m a man that’s been up and down,” Casey said in a serious moment. Certainly his knack for bouncing back made him a legend in our national pastime. Here are the stories and gags, the Stengelian style, the full dimensions of the man.
Amazon.com Review
From its original publication in 1984, Creamer's superb portrait of one of the game's most cherished characters was quickly acknowledged as a masterwork of sports biography. Its opening line--"Casey Stengel naked was a sight to remember"--helped establish the complex and often contradictory personality that Creamer strips from its façade by work's end. Stengel worked to build his image as the game's crazy clown prince, but he was always crazy like a fox, remarkably resilient, quietly brilliant, and always entertaining, from the day he broke into the majors with Brooklyn in 1912 to the afternoon he finally hung up his uniform as the loveable manager of the hapless Mets in 1964. His record of success as manager of the Yankee juggernaut from 1949 to 1960 remains one of baseball's unapproachable legacies: 10 pennants and seven World Series titles, including five in a row. "Casey could be wildly amusing," Creamer writes, stating the obvious, "but," he continues, "there was a burning ambition in him too." By displaying the former--especially in the form of his own confusing use of words, dubbed Stengelese by the beat writers whose job it was to interpret him--Stengel was able to let the latter sneak up on the opposition undetected. It was part of his myth and part of his mystery, both of which Creamer exposes with great skill, real respect, and obvious affection. --Jeff Silverman
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